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With One Brush

 

With One Brush
Jan Dean

Winner, IP Picks 2007, Best First Book
Many of the poems collected in With One Brush showcase Jan Dean’s previously published and awarded work. As the title suggests, this collection uses visual art as a departure point for creative exploration of experience, memory, sensation, and imagination.

The works of artists such as Renoir, Gauguin, Magritte, and Arthur Boyd provide the focal point for a number of the poems, allowing Jan Dean’s passion for art and her innate, vibrant sense of colour and texture to burst forth from the page in visually sumptuous passages.

The act of painting takes on metaphorical significance as Dean navigates themes of creation and documentation of life through art. What emerges is a sensuously layered and intriguing meditation on the past that offers a sense of connectedness and hope for the future.

ISBN 9781876819675
RRP: AUS$24
poetry

PB 96pp


Reviews


With One Brush is a dazzlingly kaleidoscopic book. Although it ranges from lyricism to dramatic monologues, from humour to domestic tragedies and pleas for world peace, there is an artful rightness about the placement of poems and their progression from the beginning to the end. Like the paintings that inspire many of the poems, the writing is vivid and sensual. The voice is original and daring, riskily lateral and inventive. An impressively wide-ranging knowledge and respect for the visual arts informs the poems, linking the different art forms in a way that is rare in Australian poetry. With its genuinely different voice and ambitious embracing of the possibilities of language, life and art, this is a fresh, compelling first book.
– Jean Kent


With One Brush consistently achieves a sophisticated transmutation of the visual into the vividly imagined. As a collection, its breadth and depth are matched only by its accessibility. – Rob Riel

There is more than a keen artist’s eye at work in these poems. The leaps of connection beyond the canvas investigate life at that place where perception, intuition and empathy collide. The result for the reader is a deeper understanding of art, certainly, but mostly a deeper understanding of humanity.
– Judy Johnson

 


Jan Dean

Jan Dean
Jan Dean’s poems have been published in Best Australian Poetry and The Best Australian Poems and have won various prizes in local and national competitions. She taught Visual Arts for 35 years and, having retired from teaching, now focuses on ‘playing with art forms through writing’. She lives in Cardiff, NSW, and is currently Vice President of the Hunter Region Fellowship of Australian Writers.
 

Sample


The Body and Brushes with Blood

Relationships make bodies, mine
and my body of work, brush blood.
I felt my difference early, when I heard

the call of the crow as music.
It wasn’t the wild wind but the spin
it lent our cobwebs that made me shiver.

Gathering wildflowers, field flowers
I could not fail to see, it’s the daisy’s skirt
that makes the centre glow.

Mixing father’s colours was a game.
The red of mulberry wine and Murano glass
can only be set afire beside a certain green.

I also learnt the red of blood dries brown.

 

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Links

eNews 33: Commentary by Assistant Editor Mary Trabucco

eNews 34: Interview by Assistant Editor Courtney Frederiksen

 
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